A bride in a crimson gown stands under a wedding canopy in a wooden shtetl synagogue as a pale ghostly dybbuk clings to her, oil lamps glowing in the dark
Hebrew BibleKabbalah & Folk MagicYiddish & Ashkenazi FolkloreDark Romance

The Dybbuk

The Soul That Clings

Art follows Wedding canopy in a shtetl synagogue; the dybbuk is Eastern European folklore.

Lore Card

A bride stands under the wedding canopy and speaks in a dead man's voice. This is the scene audiences remember from S. Ansky's The Dybbuk. Leah is about to marry a stranger, and her true beloved, Khonen, who died calling on forbidden powers, enters her body and refuses to leave.

The legend

The word comes from the Hebrew root d-b-k, "to cling". A dybbuk is not a demon. It is a human soul, someone who died with sins unatoned or business unfinished, and who cannot find rest. It takes refuge in a living body, usually a young woman's, and speaks through her: new voices, forbidden knowledge, the dead man's grievances.

The name in this sense is early modern. By the 17th century, Yiddish and Hebrew accounts described the dibbuk of an evil spirit and the rabbis who drove it out. The roots are much older. An "evil spirit from God" torments King Saul, and only David's lyre brings relief (1 Samuel 16:14–23). Josephus says he watched a Jew named Eleazar, in front of Vespasian and his soldiers, draw a demon out through a man's nostrils with a ring holding a root prescribed by Solomon (Antiquities 8.45–49). Kabbalistic teaching on gilgul, the transmigration of souls, was greatly developed by the mystics of 16th-century Safed. It gave the wandering dead a theology.

The exorcism was a public ritual. A rabbi, a quorum of ten, psalms and the shofar's blast questioned the spirit: Who are you? Why have you come? The aim was not only to expel it but to mend the wrong, so the soul could finally go on.

Versions

  • Ansky's play (written in the 1910s, first staged in 1920; the Habima Theatre's Hebrew production followed in 1922) turned possession into a tragic romance between destined lovers.
  • Folk accounts often show the possessed woman voicing what her community would not let her say.

What fantasy gets right / what it misses

Gets right: the changed voice, the clinging, the unfinished business, and the courtroom-like exorcism.

Misses: Horror tends to treat the dybbuk as a demon. In the tradition it is a suffering person, and the rite tries to heal the spirit as well as the host. The "haunted dybbuk box" is a 21st-century internet legend, not Jewish folklore.

Original Sources

The key verses in the original Hebrew or Aramaic, with an English translation. Fetched from the Sefaria API.

I Samuel 16:14 שמואל א ט״ז:י״ד

Background: an evil spirit terrifies Saul

וְר֧וּחַ יְהֹוָ֛ה סָ֖רָה מֵעִ֣ם שָׁא֑וּל וּבִעֲתַ֥תּוּ רֽוּחַ־רָעָ֖ה מֵאֵ֥ת יְהֹוָֽה׃
Now the spirit of the LORD had departed from Saul, and an evil spirit from the LORD terrified him.

Not a dybbuk: the spirit comes “from the LORD” and is no dead soul.

Hebrew: Miqra according to the Masorah (CC-BY-SA)English: The Holy Scriptures: A New Translation (JPS 1917) (Public Domain)

Sha'ar HaGilgulim 3:1 שער הגלגולים ג׳:א׳

Ibbur: a righteous soul joins the living

… הנה בחי' העבור היא בחיים כנז"ל, ר"ל, כי לפעמים יזדמן ליד האדם איזו מצוה, ויעשנה כתקנה, ואז יזדמן לו נפש אחד, מן איזה צדיק קדמון, שעשה אותה המצוה עצמה כתקנה, וכיון שנתדמו יחד בענין מצוה זאת, יתעבר בו נפש הצדיק ההוא. …
… Here, regarding Ibur, this [happens] during the life of a person (as explained in Hakdama 2). I wanted to say, that sometimes a person will merit through some mitzvah, and this makes a rectification. And through this rectification, he receives another Nefesh from an ancient Tzaddik (which already departed from the world). This Tzaddik [has a similarity to him in that he also] did the same mitzvah, and when the person does the mitzvah, the Nefesh of the Tzaddik enters into him …

Kabbalistic theory of the 16th century (Chaim Vital, recording the Arizal). This is the benign ibbur. The malign possessing spirit called a dybbuk comes from later folklore.

Hebrew: Shaar HaGilgulim (Public Domain)English: Sefaria Community Translation (CC0)

Interpretations

Classic commentators and translators on the same passages.

Targum Jonathan on I Samuel 16:14 תרגום יונתן על שמואל א ט״ז:י״ד

Targum Jonathan: an evil spirit “from before the LORD”

וְרוּחַ גְבוּרָה מִן קֳדָם יְיָ דַהֲוַת עִם שָׁאוּל עֲדָת מִנֵיהּ וּמְבַעֲתָא לֵיהּ רוּחַ בִּישָׁא מִן קֳדָם יְיָ:
And the mighty spirit from before the LORD who had been with Saul, departed from him; and an evil spirit from before the LORD tormented him.

Hebrew: Mikraot Gedolot (Public Domain)English: The Targum of Samuel; trans. E. van Staalduine-Sulman. Leiden: Brill, 2002 (CC-BY-NC)

Texts & licenses
  • Miqra according to the Masorah: CC-BY-SA
  • The Holy Scriptures: A New Translation (JPS 1917): Public Domain
  • Shaar HaGilgulim: Public Domain
  • Sefaria Community Translation: CC0
  • Mikraot Gedolot: Public Domain
  • The Targum of Samuel; trans. E. van Staalduine-Sulman. Leiden: Brill, 2002: CC-BY-NC

The William Davidson Talmud (Koren/Steinsaltz) is © Koren Publishers, CC-BY-NC, courtesy of Sefaria. Its English weaves Rabbi Steinsaltz's explanatory additions into the literal translation. JPS 1917 and the Charles Enoch are public domain. Mechon Mamre and Chabad.org are linked for reference only; their texts are not reproduced.

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